How do you feel about the extra characterizations in the Delta Episode (in particular Steven’s, since I remember you lamenting his lacking characterization back in your Champions series)? And what would you have done differently with the Episode?

Steven is just better-written in general in Alpha Sapphire and Omega Ruby.  Well, everyone is, really; I actually think the villains benefit the most.  To be honest, I feel Steven still comes across as more of an exposition-whore than anything else a lot of the time, but he’s at least a lot more emotive and determined.  The scene in the epilogue between him and Wallace is nice too; it gives you a sense of the burden of being a Champion, and how the position isn’t all fun and games.  Mostly what I like about Delta Episode specifically is just that Zinnia is such a cool character.  She’s the one person in the game who knows exactly what’s going on from the start of the plot to the end, and that makes her choices and priorities very curious and interesting – her willingness to orchestrate the awakening of Kyogre/Groudon by Team Aqua/Magma in order to attract Rayquaza’s attention, and damn the risks; her absolute refusal to let Steven and Professor Cozmo try their own plan to stop the meteor; her lack of concern for her own life; whatever the deal is between her and that Whismur, Aster.  She very much carries that chapter, I think.

What would I have done differently?  Hmm.  Well, two things jump out at me.  One is that Zinnia is such a pushover in the final battle at the Dragonhark Altar, which is supposed to be the game’s last big challenge for you as a player – or, rather, not that Zinnia herself is a pushover, but that Mega Rayquaza is beyond ridiculous.  If she somehow manages to defeat Rayquaza, Zinnia actually becomes very difficult, particularly her Mega Salamence, but given that Rayquaza is entirely capable of outrunning and one-shotting all of her Pokémon, that’s just not terribly likely.  I would have maybe reduced its level to 60, or introduced some extra mechanic specific to this fight that would give Zinnia a chance to stop it – like, maybe because it’s Mega Evolved for the first time in a thousand years and needs time to get used to its power, Rayquaza is under some kind of Regigigas-style Slow Start effect during this one battle?

The other thing that kind of needs work is Deoxys, who just comes completely out of nowhere.  Or… well, not out of nowhere, out of a meteor, which is where Deoxys is supposed to come from; the point is that, just after the big climactic cutscene where Rayquaza blows up the meteor, we have one more battle with this powerful legendary Pokémon who has nothing to do with anything.  Could we have had… like… some foreshadowing of this?  The meteor shower is apparently a regular thing that threatens the earth once every thousand years; does Deoxys have something to do with that?  Why?  And what does it have to do with Mega Evolution, which is apparently connected with the meteorites?  Is Deoxys somehow the ultimate source of that power?  What does any of this have to do with anything and why should we even care?  I mean, I’m happy that Deoxys is no longer event-exclusive, but you have to admit that it was more than a little ham-fisted.

Explain cubone. You know… the egg mechanics.

Hmm.  What have I said about Cubone before?  Let’s see… well, someone brought up the whole “Cubone are orphaned Kangaskhan” thing, and my feeling there is that I think there would be clearer evidence for it if Game Freak actually intended us to see them that way, but it’s a cool idea and makes sense.  That doesn’t help us much when we actually hatch Cubone though, because we have no dead parent if that happens.  I think Cubone born to living Marowak parents must have to go and find skulls and clubs from ancestral ‘graveyard’ sites, which they maintain because reverence for the dead is so important to their species.  It’s a kind of rite of passage for them.

If you want to explain how a baby Cubone just immediately pops out of the egg with a skull already on his adorable little head, with no spiritual quest or anything like that necessary, well, obviously the real reason is that creating special breeding mechanics just for Cubone was clearly a waste of time, and we sort of have to accept it as a necessary gameplay abstraction.  Alternatively, though… I don’t know if anyone’s even considered this, but just to go all Occam’s Razor on you, maybe the whole thing is just a story?  Like, is it possible that the skull thing is honestly just what Cubone look like, and people came up with this strange mythology around them to explain their menacing appearance and haunting wails, which then gets reported as fact in the Pokédex because the Pokédex is approximately 48% complete bull$#!t?  We never see them remove the skull helmets, so who’s to say those aren’t really part of their heads?  That makes the whole thing remarkably easy, albeit a little less exciting.

(ask part 1/2) You mentioned before that you haven’t played GuardianSigns, and I assume the same w/ PokémonShuffle, but I noticed a connection between the two that I’d like to know if anyone (either you or your readers) noticed. Basically, in GuardianSigns you face off against a team that makes use of an ancient civilizations tech to capture Pokémon through suppression rather than friendship etc. This tech takes the form of “Steelhead” armor, which appears in the background of the Galerie Rouge

I, uh… I’m afraid part 2/2 seems to have become lost in the celestial aether.

Am frazzled

Writing MA thesis.  Much work.  Must decrease commitment to blog for the next month.  Will continue to post things, but not according to any schedule.  Will possibly post rambling nonsense tract about the ancient Roman glass industry at some point.

Why is Corsola in the Water1/Water3 egg group, and not Mineral? Water1 is composed of amphibians and aquatic mammals, and water 3 is shellfish and cephalopods. What in the distortion world IS coral?

Well, as I understand it, coral is a sort of communal organism not altogether unlike a jellyfish, but sedentary and hard-bodied, so Water 3 makes a lot of sense.  Water 1, to be honest, is composed of all kinds of insane nonsense and I’m not sure there’s any point looking for a consistent rationale there.  To me it seems like the primary idea of that group is ‘Water-types that are also comfortable on land,’ and Corsola does fit that, although it does put us in strange places when we start making comparisons to real-world evolutionary biology.  If anything I’m actually a lot more puzzled about Clamperl and Horsea being in that group.

X Nuzlocke, episode 4: A Lot to Swallow

Route 5

Ruby: I’m telling you, I was fine.  There was just… a little more magical energy in the Charizardite than I anticipated.  I would have brought the explosions under control sooner or later.
Spruce: And when you say “under control”…
Ruby: I mean they would have been happening in a direction of my choosing.  Broadly speaking.
Fisher: I really must advise more caution, my lady.  A stone of fiery power, leading a young fox Pokémon down the path of temptation… that is a pattern the followers of the Blessed Helix know all too well.  I fear the hand of the Dome is at work in this matter.
Melissa: But we all need to get stronger and learn new ways to use our powers for the greater good!  The risks don’t matter!
Ruby: Please don’t tell me my only sensible minion is the over-excitable insect in fanatical service to an all-devouring hive mind.
Luna: Not at all.  I think you were doing a splendid job just as you were.  The smell of the humans’ flesh as it was atomised in your cerulean holocaust was nothing short of exhilarating.
Ruby: …somehow your approval is not as reassuring as I had hoped it would be, cat.
Spruce: Um… not that I don’t love hearing about Luna’s favourite smells or anything, but there’s a human just… standing in the road up there…
Boy: You there… stop…
Ruby: Who commands us so, insolent child?  Do you know to whom you speak?
Boy: No life… no voice… not without… the master…
Ruby: Hmm.  Vacant expression.  Limited vocabulary and poor sentence structure.  Glassy eyes.  Slow, laboured speech.  It’s remarkable; he’s almost exactly like ours.
Boy: Lie down… lie down and die…
Ruby: You know, in some respects this might even be an improvement.
Melissa: His thoughts smell… weird.  I can’t quite put my needle on it… It’s sort of like the parasites I stole from that wicked Vivillon we fought, how they don’t have any minds of their own.
Ruby: Mmm.  Probably because he’s being psychically dominated by the Kadabra that Lavoisier asked us to despatch.
Spruce: What?  He’s here!?
Ruby: Almost certainly. [Shouting] Come out of hiding, coward!  You are challenged to a duel of sorcery!
Kadabra: [Teleports into view] Ha-HA!  Sorcery-games, I’ve gotten so bored of, little-foxy!  Don’t we rather fancy instead a trifling little game of riddles?  Riddle me this, foxy: what walks on three legs in the evening, has a bed but never sleeps, makes some men blind but helps others to see, and is like a raven and a writing-desk?
Ruby: …you- I don’t- what?
Kadabra: You!  CONFUSION!
Ruby: That doesn’t even make s-aaaaaaaauuuughh!  Ooof!
Fisher: Treachery!  Villain, I shall smite you as the Voices will it!  FOR THE HELIX!
Kadabra: Your ancient fossil god has no power over me, little-shouty-duck-thing – for watch, and be amazed, as I bend the very nature of reality itself, and… THIS SPOON!
Fisher: …I beg your pardon?  The spoon bends, but- is it a metaphor for something?  Do you imply that I too, a faithful servant of the one true god, am like putty in your telekinetic ‘hands’?
Kadabra: CONFUSION!
Fisher: Aaaaaarrrrghh- oof!  Oh, alas, I am undone!  Bird Jesus, I implore you, send your divine wind to uplift the wings of your blessed child!
Ruby: …he means you, Spruce.
Spruce: I know, I know!  Face me, villain!
Kadabra: You have no hope!  BEHOLD, THE SPOON!
Spruce: Um… there… there is no spoon; you’re not actually holding anything.
Kadabra: CONFUSION!
Spruce: I don’t- you’re not even using an attack; you’re just yelling “Confusion!”
Ruby: It’s your Keen Eyes, you idiot; you can see through the illusions he’s creating with his Kinesis technique!  Hurry up and get him before he uses a real Psychic attack!
Spruce: Wow; neat!  Uh… hey, you!  It’s time you paid for your, uh-
Ruby: Oh, for- work on your combat banter later!  Just hit him!
Spruce: Oh!  Right!  QUICK ATTACK!
Kadabra: [thud]
Spruce: …did… did I… is he dead?
Luna: Hmm… let me see… [CRACK] He is now.
Spruce: …
Luna: What?

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I have a question relating to ancient Greece. Do you know when the city of Athens was first called “Athens” in recorded history? And was the name always recognized as being from the goddess Athena, or did her invention come later? It will help me greatly in inspiration for my stories.

Kind of a tricky question.  If memory serves, Homer refers to the city of Athens by name in the Catalogue of Ships, and you can argue ad nauseam about the actual age of Homer in general or that passage in particular, but it’s certainly one of the oldest things in Greek literature.  In any case I’d be happy to accept that the names of both the city and the goddess go back to the beginning of the ‘historical’ period.

Before that… well, there was almost certainly a Mycenaean citadel on the Acropolis in the Late Bronze Age, and people have drawn a connection here with the various jumbled stories about Erechtheus, the mythical king of Athens, living in Athena’s temple (the Mycenaeans didn’t have temples, as far as we can tell; religious and political authority were probably united under one roof).  We don’t know what the Mycenaean city was called, though.  I would bet good money it was something like the Classical “Athenai” because place names tend to be conservative, but we have no Linear B from Athens, so it’s not really possible to be airtight on that.  One of the Knossos tablets does mention something called a-ta-na po-ti-ni-ja, and po-ti-ni-ja is a title commonly given to goddesses (the later Greek equivalent is potnia, which is one of the things Homer calls Athena), so possibly the reference is to a goddess called “Mistress Atana,” and just conceivably it might indicate that Athena is ultimately an aspect of the Minoan “great goddess” (and here much is made of the fact that snakes are sacred to Athena).  The trouble is, these texts don’t actually tell us anything about the gods they mention; they’re just lists of the resources allocated to festivals and sacrifices and such, for accounting purposes.  So we know that Athena probably exists and is worshipped in the Bronze Age in one form or another, but we don’t know whether she was anything like the Classical goddess, and we have no idea what, if any, connection she has to the city of Athens.

So yeah.