Anonymous asks:

What’s your favorite Legendary Pokémon, and why? We all know it’s not Rayquaza (because of Emerald) or Arceus (because of The Jewel of Life), but which one’s your favorite (or favorites, in the case of duos or trios)?

That’s a hard one… You’re right that it’s not Arceus because Jewel of Life can rot in hell, and also because the whole “god Pokémon” thing just does stuff to the setting that I don’t really like, and which I’m not convinced anyone ever thought through.  It’s also not Rayquaza, although I actually feel that Alpha Sapphire and Omega Ruby quite satisfactorily redeem the mess that was made of Rayquaza’s involvement in Emerald (though Deoxys is just a total Giant Space Flea from Nowhere).  I like the designs of Articuno, Zapdos, and Moltres, but I’m less keen on the fact that (in the games at least) they have nothing to do with anything.  Similarly, I’m fond of Cobalion, Virizion and Terrakion’s backstory, which I think is really interesting, but I was incredibly underwhelmed by how little they had to do with the story of Black and White, considering how directly invested they are in the ideological conflict behind the plot.  You know, all things considered, I actually might go with Xerneas and Yveltal as joint winners; the designs are really evocative, they enabled an interesting story with some cool themes in X and Y, and the way they’re described hits a good spot on the “cosmic power” scale, where you can appreciate that these things might have region-wide significance, but they don’t necessarily place the power to unmake the universe in the hands of a ten-year-old trainer the way Dialga and Palkia do.

VikingBoyBilly asks:

How come heatran has sexes (not ‘genders’) and can’t breed? It’s the only legendary that is like this (Latias and Latios have fixed sexes, Manaphy can breed).

Well, Latias and Latios probably have genders because they’re supposed to reference Gnostic aeons, which come in male/female pairs (I’m not altogether convinced by this interpretation, but it’s the best suggestion I’ve seen for what they’re about); Manaphy can breed because being a legendary Pokémon that can breed is Manaphy’s particular gimmick.  Heatran… well, to be honest my best guess (and I do not think it is a terribly good one, but it’s what I’ve got) is that Heatran was originally not intended to be a legendary Pokémon, and somehow its genders were retained by mistake.  There isn’t really anything particularly “legendary” about Heatran other than its stats, after all, particularly not in comparison to some of the other nonsense going on in the fourth generation.  If you’re looking for an in-universe explanation, I would say that Heatran can and do breed – but since they’ll only lay their eggs in a volcano that isn’t already claimed by another Heatran, good bloody luck to anyone who wants to try it.

Xerneas and Yveltal

Xerneas.

To my amazement, we’re already coming quite close to the end.  Only a handful of Pokémon from eastern Kalos remain, then I’ll have to think of something else to pass the time until I pick up Alpha Sapphire or Omega Ruby (at the moment it’s looking like I’ll finally do that series on the rival characters that I’ve been putting off forever).  Meanwhile, my unfathomable whims decree that now is the time to take on the flagship Pokémon of X and Y: the divine guardian of life and the terrifying shadow of death, Xerneas and Yveltal.  I’m not even going to bother talking about stats or moves or any of that nonsense; I know I usually do, but you really don’t need me to tell you that these things are godlike, right?  Stick some attacks on them and go commit brutal murder; whatever.  I’mma talk about themes and stuff.

I will admit, I was not terribly inspired by these two when they first appeared in the teaser trailer for X and Y last year.  “Wait, so they’re… based on the letters X and Y?” I asked myself.  “What?  Why would you- what does that add?  What is the point of that?”  I’m still not really sold on the alphabet thing, and only partly because it led to that ridiculous line where Professor Sycamore says the only thing he knows about Xerneas is that it “resembles the letter X.”  No, it doesn’t; it resembles a massive f#%$ing stag.  I suppose there doesn’t really need to be any point to it, though – there was no reason for Palkia to associated with pearls and Dialga with diamonds, and Xerneas and Yveltal have plenty of other significance to them.  It’s just rather strange, after the previous generation used the titles Black and White to tie in with the Yin-Yang ideas and the themes of balance and duality that those games were so insistently pushing, that the best anyone can come up with for X and Y is that Game Freak and Nintendo were just really proud of their 3D graphics.  It wouldn’t exactly surprise me, and it even makes some sort of sense with Y conventionally representing the vertical dimension (Yveltal can fly) while X and Z are the two horizontal dimensions (Xerneas and Zygarde have two different modes of earthbound movement), but it’s not really a satisfying conclusion.  Maybe it was just coincidence that the titles and associated legendary mascot themes of Black and White worked so well – or maybe there’s something tremendously dramatic planned for Alpha Sapphire and Omega Ruby (which, of course, also include letters of… well, an alphabet) that will make sense of everything; I don’t know.  In any case, that’s not what I most want to talk about here, and again, I don’t think it matters.  Their curious alphabetic structures do nothing to detract from Xerneas’ obvious majesty or Yveltal’s palpable malice.  These are Pokémon who know which notes they want to strike, and do so quite effectively.  What I really want to do with this entry, for the most part, is take apart the Norse mythology interpretation of Xerneas and Yveltal that seems to have so thoroughly convinced the internet.

 Yveltal.

At some point shortly after that first trailer, someone latched onto a variety of figures from Scandinavian myth, primarily inhabitants of the great ash Yggdrasil, as the most likely source of inspiration for Xerneas and Yveltal’s designs, and I think everyone’s just had trouble letting go of that idea – sometimes to the exclusion of all common sense.  Personally I struggle to find much merit in the interpretation.  It sounds really clever when you take it as a whole because it gives you an eagle, a stag and a snake that all have something in common (a tie to Yggdrasil), but the individual identifications make little to no sense.  The original argument seems to have wanted Xerneas to be based on a quartet of stags who live in the branches of the World Tree and feed on its leaves.  They are described in the Grimnismal (Sayings of Grimnir), one of the poems that make up the Poetic Edda, the major surviving body of pre-Christian Norse myth.  Nothing else is known about them aside from their names: Dain, “the Dead One,” Dvalin, “the Slumberer,” Duneyr, whose name’s exact meaning is uncertain but possibly something like “Murmur,” and Durathror, who is again obscure but perhaps means “Delay.”  These, of course, all make such perfect sense for a Pokémon whose raison d’être is to invigorate life, particularly “the Dead One,” that it’s hard to believe anyone could doubt there is a connection.  The idea also seems to have circulated that each stag had a different coloured gem in its horns – red, yellow, blue and purple, the colours of the glowing projections in Xerneas’ horns – but as far as I can find there’s actually… like… no evidence for that… anywhere… so yeah.  Yveltal, similarly, is linked to an eagle who roosts at the top of Yggdrasil, a figure to whom the Eddas do not even give a name, and spends his days insulting the dragon Nidhoggr (who lives at the bottom of the tree and gnaws on its roots), by way of a squirrel messenger named Ratatoskr.  Like the four stags, the eagle forms part of the scenery of the World Tree but is otherwise not a terribly important figure, and, also like the four stags, seems to be the subject of an erroneous detail that seems to have been concocted to make the whole concept seem more likely – namely, someone seems to have put it about at some point that the mythical eagle was blind (…it wasn’t) and suggested this as an explanation for Yveltal’s unsettling blue eyes.  Finally, again like the four stags, it’s difficult to see what the Yggdrasil eagle could have given to Yveltal other than simply being a mythical bird of prey.  He’s not really linked with death or destruction, any more than the stags are linked with life.

Bulbapedia offers related alternatives to each, which do little to improve my estimation of the idea.  Yveltal, in their view, might be based on Hraesvelgr, a giant who takes the form of an eagle and lives at the edge of the world; I think the main attraction is his badass name, which means ‘Corpse-Swallower.’  This guy is a seriously obscure character.  He’s attested in a poem called the Vafthrudnismal (or Sayings of Vafthrudnir), another part of the Poetic Edda, which is basically about Odin asking the giant Vafthrudnir stupid questions.  Odin’s ninth question is “where does wind come from?” and Vafthrudnir answers “there’s a huge f#$%ing eagle-giant at the edge of the world who flaps his wings really hard” (that is, of course, my own literal translation from the Old Norse, or whatever this stuff is supposed to be written in).  The later Prose Edda quotes this passage word-for-word, and that is the sum total of what Hraesvelgr does in the extant Norse texts; how he got his sinister name is never touched on.  You may as well just say Yveltal is based on a really big eagle.  Similarly tenuous links are drawn from Xerneas to the great stag Eikthyrnir, who stands on the roof of Valhalla chewing branches of Yggdrasil and distilling the sap into the water that supplies the world’s rivers.  This one, I will grant you, actually does make some degree of sense because Eikthyrnir, like Xerneas, is a sort of wellspring of life, in the form of fresh water, though I would rather expect Xerneas to have water-related powers if that were the case – I mean, it’s not like you need a lot of justification to put something in a legendary Pokémon’s movepool, and this is literally the only thing we know about the character being identified as the inspiration for Xerneas.

 The four stags, Dain, Dvalin, Duneyr and Durathror.

All of this was discussed ad nauseam before X and Y were ever actually released.  People thus inferred that the third legendary Pokémon, whom we now know as Zygarde, would be based on Nidhoggr, and successfully predicted that it would therefore be serpentine (seriously, though, it had to have a Z-shaped body; what else could it possibly have been?).  In some ways this is the most appealing identification to me because a terrible serpent who lives underground certainly sounds like Nidhoggr, and the –garde termination could well be a reference to Asgard and Midgard (though it could equally just refer to Zygarde’s position as, well, a guardian).  In other ways it actually makes the least sense of the lot because, rather than simply being generally nondescript like most of the other beings we’ve talked about, Nidhoggr has enough of a personality to be strongly opposed to the role Game Freak appear to have in mind for Zygarde.  He’s described as “the Order Pokémon” and is supposed to be a guardian of balance in Kalos’ ecosystem, which sounds as though he’s supposed to fill a Rayquaza-like role in checking the excesses of both Xerneas and Yveltal (since overabundant life and unchecked destruction could both devastate an ecosystem; the way his ability relates to theirs reinforces this idea).  Nidhoggr, by contrast, is a far more malevolent character than any of the minor figures suggested as an inspiration for Yveltal; he spends his time chewing on the corpses of the dishonoured dead in Hel, and seems to be one of the figures on the side of evil and chaos in Ragnarok, the Norse apocalypse.  If Zygarde is based on Nidhoggr, why isn’t he the Pokémon who symbolises death instead of Yveltal?  Similar attempts to locate Zygarde’s origins with the World Serpent Jormungandr – the arch-enemy of the universally loved and admired Thor, and a major player in bringing about the end of the world – are, if anything, even worse.  In any case, there will be more on Zygarde when he gets his own entry.

Finally, just to cap it all off, people point at Xerneas’ dormant form – a white tree – and say “ooh, look, it’s clearly a reference to Yggdrasil.”  Xerneas is a stag, for heaven’s sake; stags being associated with trees and forests is really nothing unusual; it’s certainly not specific to Norse myth.  Besides, where does that leave Yveltal’s cocoon?  There’s no reason Yveltal couldn’t have lain dormant as a black tree, and if Yggdrasil were really as important a unifier as this concept makes out, it would have made a great deal of sense, whereas a cocoon doesn’t give you anything to work with.

The Yggdrasil eagle, along with the hawk that inexplicably roosts between its eyes (the hawk, evidently, was important enough to be given a name - Vedrfolnir.).

 

So, now that I’ve spent all this time picking apart why I don’t think the currently popular mythological identifications work, am I now going to present something much cleverer that explains Xerneas and Yveltal perfectly?  No, actually, I’m not.  I’m really not sure there is one.  Legendary Pokémon are not usually based on specific mythological characters in this way; with a few notable exceptions, they more often tend to be the Pokémon world’s expression of generalised archetypes.  They may very well relate to mythological characters, but in most cases (again, with notable exceptions) I don’t think trying to pin them on specific characters from specific mythologies is a productive exercise.  In fact, you can count on one hand the number of specific mythological figures who are clearly identifiable in the designs of legendary Pokémon: the phoenix (Ho-oh), and the Japanese gods Fujin, Raijin and Inari (Tornadus, Thundurus and Landorus).  I suppose you can also argue the nine Muses for Meloetta, Nike for Victini, or the golem of Prague for Regigigas and friends, but I don’t think those are nearly as solid.  We don’t actually need an answer to this question.  There’s nothing that should lead us to expect that there is one.  If we have to find a mythological antecedent for them, I rather prefer the idea that the forces represented by Xerneas, Zygarde and Yveltal correspond to the three deities of the Hindu Trimurti, Brahma, Vishnu and Shiva – or, more accurately, not to the deities themselves but to the forces they represent, creation, preservation and destruction.The idea that Yveltal is a reference to the Black Death, I’m also fairly partial to; first of all, it’s got ‘death’ in the name, and although Game Freak shied away from actually calling Yveltal “the Death Pokémon” (going for “Destruction” instead), it’s pretty clear that that’s what it is, in opposition to Xerneas, “the Life Pokémon.”  The Black Death is generally understood to have been caused by the bacterium Yersinia pestis – starts with a Y, which is apparently one of Yveltal’s defining features.  Like Yveltal, the Black Death appeared mysteriously to ravage a huge region centuries ago, then vanished just as mysteriously (and, if certain current ideas about the Justinian Plague of 6th century Byzantium are to be believed, it had already done so once before).  Locating such a Pokémon in a European region would also make sense.  The physical designs of Xerneas and Yveltal, though, I think were dictated partly by the X/Y theme and partly by the general feeling the designers wanted to get across.  Stags appear in a lot of fiction as guardians and avatars of nature – look no further than the stag-like forest spirit from Princess Mononoke, whom I would accept as a possible influence on Xerneas far more readily than Eikthyrnir – and Xerneas’ rainbow horns evoke the vibrancy and diversity of life.  Birds of prey can descend from the sky to snatch life away without warning, an unsettling trait that is reflected in stories found around the world of giant birds that can prey on people, like the Roc and the Thunderbird.  Xerneas and Yveltal are best seen as the Pokémon universe’s take on these broader ideas, not as attempts to ape specific mythological animals whose stories don’t even fit them.

That isn’t exactly the way I envisioned this entry going; I suppose dissecting these mythological identifications was more important to me than I realised, and in fact I’m coming to realise I haven’t actually said much about Xerneas and Yveltal themselves.  A quick assessment to finish, then.  Life and death were bold choices, and I feel there’s a lot more room to play with this story than we saw in X and Y – Zygarde will doubtless complicate the relationship between these forces a great deal.  The designs are perhaps a little over-the-top, even in comparison to previous legendary Pokémon – I mean, Xerneas is almost literally “rainbow crystal stag Jesus” – but they certainly work.  They also led to the creation of an interesting kind of threat in Team Flare and Lysandre, although I’m on the record as believing that Lysandre isn’t nearly as morally ambiguous as the game seems to think he is.  In short – if you ask me, these Pokémon work.

You may remeber a fake picture rolling around the internet a while back claiming there was going to be a generation zero. (Google “pokemon generation zero” and you’ll be set). Although it was announced as fake. There was one idea i found truly facinating. The idea of using baby formes of the Articuno, Zapdos and Moltres, although that exact idea is a bit silly. Am i the only one who would like to see a game which focuses on you raising a legendary suchas Zekrom or Reshiram?

Hmm.  Go go gadget Google.

Oh, RIGHT; I remember this!

Yes; okay.  So, for everyone who hasn’t seen this – ‘Generation Zero’ is an idea for a prequel to the existing Pokémon games, in which the player takes on the role of a young Professor Oak or Agatha, writing the first Pokédex, inventing new Pokéballs from apricorns, using the DS touch screen to sketch Pokémon you catch for the Pokédex… and with an infant Articuno, Zapdos or Moltres as the starter.

Anyway, as to that question… Personally I have rather different views on legendary Pokémon to most people; in particular I actually don’t think they should be obtainable by players at all (with some exceptions).  If you wanted to make a whole storyline out of it, on the other hand, that could become quite fun.  I would rather like to see a game in which your relationship with your starter Pokémon takes centre stage, building on the way Yellow handled Pikachu with the more advanced storytelling that the games have been developing since then – raising a legendary Pokémon would be an interesting way to do that.  Naturally, you would have villains – possibly multiple factions of villains – trying to claim your partner for themselves.  The law-abiding citizens and police of your region might be on your case too – it’s dangerous for anyone to have that kind of power, let alone a kid!  Meanwhile your Pokémon is getting stronger and stronger – as a legendary Pokémon it might need to assume an important place in the order of nature, but it has to learn to control its powers first.  You could do some interesting things with the game mechanics too, having your interaction with your partner affect the way it learns and gains new powers.  Reshiram and Zekrom might be particularly good choices for a game like this, because the most important theme of their story is partnership with a human ‘hero’ (and, of course, if you have one of them, the immediate question arises… who has the other?).

So yeah, if you actually built the story around it, rather than ham-fistedly pasting a legendary Pokémon into a standard Pokémon plot, I think it would be fascinating!

Legendary Pokémon: Final Thoughts

Dialga and Palkia are so awesome, not even their own trading cards can contain them, as these illustrations by Shinji Higuchi and Sachiko Eba attest.Although I hadn’t quite had it in mind originally, these entries on the Pokémon Power Bracket eventually evolved into something akin to a discussion of what I think legendary Pokémon should and should not be. Given the direction this project ended up taking, I suppose that I now ought to talk about these questions in more general terms and lay out, once and for all, what opinions I hold on these mysterious creatures and why.

So, what is a legendary Pokémon, anyway?

Put simply, a legendary Pokémon is one that breaks the rules. It is normally impossible to legally obtain more than one of the same species on a single game without trading. With the exception of Manaphy, none of them can breed in captivity; even Manaphy requires the aid of a Ditto. They don’t evolve, something Professor Rowan comments on in Diamond and Pearl; of more than six hundred Pokémon, about one hundred don’t evolve, and almost half of those are legendary. While most Pokémon are normally portrayed as partners (or at least potential partners) to humanity, legendary Pokémon are typically more aloof, appearing to hold humans in disdain, and will join their strength only to truly exceptional trainers. Most are figures of myth and legend; their existence is often difficult to verify. Many play roles in the balance of nature that are of global or even cosmic significance.

Let’s face it, though, you don’t care about any of that. You care about how good they are at bludgeoning your enemies into a bloody pulp.

Official Nintendo art of the cataclysmic three-way murder-off between Groudon, Kyogre and Rayquaza.Legendary Pokémon are significantly tougher and have more powerful attacks than the vast majority of ordinary Pokémon (Dragonite, Tyranitar, Salamence, Metagross, Garchomp and Hydreigon have stat totals that match or exceed those of some legendary Pokémon, and are often called ‘Pseudo-Legendary’ for this reason). Big numbers don’t make the Pokémon, of course: consider Articuno, whose type combination carries a number of crippling weaknesses and whose movepool is small and inflexible. Most members of the lowest ‘tier’ of legendary Pokémon are like this: theoretically powerful, but limited (there are also a couple, like Entei and Regigigas, who are just plain bad, but that’s really a topic for another day). That’s all well and good. It’s the really powerful ones that concern me: Mewtwo and Ho-oh and the like; Kyogre and Arceus most of all. These Pokémon clearly aren’t meant to be ‘balanced’ in any meaningful sense – possibly not even against each other. They don’t merely have a slight edge over mortal Pokémon; they can steamroll entire teams if played competently. Now, I’ve always contended that game balance has never really been a ‘thing’ in Pokémon anyway; I simply don’t believe it was ever part of the designers’ aims. However, it doesn’t take a genius to see that this legendary élite will quickly take over any context to which they are introduced; Nintendo themselves recognise this and ban most of them from official tournaments and in-game battle facilities. Outside of official contexts, however, any ban-list must be self-policing, which is a recipe for chaos – particularly since Nintendo’s ban-list, while a reasonable starting point, is riddled with flaws (they regularly ban Phione, for goodness’ sake). Some fan communities produce and regularly update tier lists to define which Pokémon should and should not be allowed, but one need only consider the vitriol directed against Smogon University for banning Blaziken to see that this is hardly a perfect solution. Some would consider it the height of lunacy to ban Celebi while allowing Excadrill (as Nintendo does); others would think it perfectly rational. As a result of all this, I cannot help but regard legendary Pokémon as a negative influence on the games’ ability to function as intended.

"What?  Create a godlike primordial being out of the celestial ether?  Sure, kids, I didn't have anything planned for this weekend anyway."It is partly for this reason that I expect rather a lot of them elsewhere. Legendary Pokémon are, well, legendary; that is, they are the subject of legends, myths, traditions and tales. As a result they are a fundamental part of the culture, history and philosophy of the Pokémon world and serve to expand our understanding of that world. Provided they do a good job of it, tell a good story, I am generally willing to give them some latitude to act as game-breakers when they take the field; they’ve ‘earned it,’ in a sense (especially ones that aren’t actually game-breaking, like Zapdos and Suicune). This is not always an easy thing to judge. I maintain that it was the second generation that got it right, with the story of Entei, Suicune and Raikou, who were killed in the fire that destroyed the Brass Tower and drove Lugia away from Ekruteak City, and then resurrected by Ho-oh with incredible new powers. These Pokémon all have a history that ties them in with the past of their home region and its visible remnants, while hinting at fantastic powers beyond what ordinary Pokémon can harness. Articuno, Zapdos and Moltres contribute to the general feel of the games with their aura of mystery, but don’t do so with the same eloquence or sophistication as their successors, while many later legendary Pokémon simply go too far. Ever since Ruby and Sapphire, Game Freak seem to have gotten it into their precious little heads that a good plot must be ‘epic’ and that one of the requirements of ‘epic’ is an impending apocalypse (neither of which is actually true), so naturally they’ve been designing legendary Pokémon to match – Kyogre and Groudon, Dialga and Palkia, Arceus, Reshiram and Zekrom – as though their games won’t be complete without Pokémon capable of destroying the nation, the world, or even the universe. This isn’t even a flawed concept, in principle. The flaw is in the way it interacts with the games’ premise and central tenet: “gotta catch ‘em all.” If these Pokémon truly were as remote and aloof as they are often portrayed, present in the game as forces to be deflected or mitigated, I would not have any major objections to them; many of them have interesting stories, and they could definitely add something to the setting’s cosmology. The problem is that once something exists in Pokémon, you have to be able to catch it; otherwise the whole mess falls apart.

The mighty Lugia cares not for your pathetic human fourth wall!  (Artwork again by Shinji Higuchi)

As I’ve mentioned in recent weeks, Game Freak seem to have in their minds a sort of dual conception of many Pokémon like this, a disjunction that must eventually be resolved. When we hear about them through myth, there seems to be a tacit suggestion that these Pokémon are powerful, but not gods as they are depicted in the stories; it is implied that there is an element of exaggeration in what we are told, and we are clearly intended to have this in mind when we capture them and use them in battle. When we actually see what they are capable of, however, these caveats vanish. Kyogre and Groudon are treated, by characters we have no reason to doubt, as an utterly serious long-term threat to the stability of not just Hoenn but the entire world. Dialga and Palkia really are capable of unravelling the universe at Cyrus’ command. On my copy of Black version, all of these Pokémon are mine. I cannot command them to unleash their full powers and rewrite the universe in my image, because their Pokéballs cut them off from their cosmic abilities through mechanisms that are never explained, but I still own them in a legally binding sense. When, exactly, did this start being okay? And how can it possibly be reconciled with their established backstories and characterisation? Reshiram and Zekrom, for their part, are a step in the right direction since their entire point is to be partnered with humans, but the writers still feel this bizarre need to talk up their power to apocalyptic proportions, apparently heedless of the fact that the plot still works without the possibility of Unova being wiped off the map. In Black and White, the threat N presents is primarily an ideological one: that he will use his partner dragon to claim the necessary moral authority to command all the people of Unova to release their Pokémon. The fact that he could destroy the world if he wanted to is a ludicrous embellishment that only undercuts what the story is actually about (especially since N would never do that anyway). What I am trying to get at here is that I feel Game Freak’s desire for legendary Pokémon to have this degree of cosmic power is totally irrational, and does little to add to a series that is, fundamentally, about partnership and discovery. Their existence, again, is not a problem per se; the problem lies mainly in the need to shoehorn these cosmic beings into the standard format of the Pokémon games when they could be left on the periphery, contributing to the background, aesthetics, character and stories of the setting, perhaps as enemies or allies, but not as ‘partners’ in the sense that mortal Pokémon must be.

I can't believe I just wrote an entire entry about legendary Pokemon without mentioning how much I hated "Arceus and the Jewel of Life"!  I must be going soft...Which legendary Pokémon are effective additions to the world, in my view (aside from the second-generation ones I’ve mentioned)? Mewtwo is one; though the extent of his powers is difficult to gauge, his backstory was clearly written with ideas of morality and identity in mind, and he also allows us to ask interesting questions about the relationship between humans and Pokémon. This, I think, is the sort of thing that Pokémon is actually rather good at, simply because the basic premises of the franchise are so interesting from an ethical standpoint. Regirock, Regice and Registeel, though I’ve always felt they are distressingly emotionless, making them difficult to relate to, have a fascinating backstory that gives us a new perspective on the way people related to Pokémon in the past, and what that might mean for the future (arguably, the very thing that bugs me about them actually makes them more effective, their alien countenance emphasising how far they stand apart from humanity). They recognise, as well, that the power to shape worlds is not actually a requisite for winning the fear or adoration of an ancient civilisation. Tornadus, Thundurus and Landorus, too, have destructive and protective powers that function on a local rather than a regional or global scale; they are deities of folktale, not epic, a smaller scale of things to which Pokémon, by its very nature, is eminently better-suited.

These, then, are my thoughts on the class which includes the most powerful Pokémon in the game. They are, in essence, Pokémon of legend, and so it is by those legends that I try to judge them first: by their power as stories, and their capacity to expand our understanding of the Pokémon world. I fully expect, as always, that many readers will disagree with my priorities and conclusions. I don’t aim to be ‘right;’ that is a lost cause in anything so subjective. I aim, as ever, to make you think, and I can only hope you have enjoyed my latest attempt as much as I have.

Thank you for reading, and to all, a good night.

Kyurem

All right!  One hundred and fifty-five down, one to go!  I can do this!  Yeah!  Go me!  I’m awesome!  Now, let’s wrap this up, with Unova’s last remaining legendary Pokémon: the glacial Dragon-type Kyurem!

296c8-kyuremKyurem is a mysterious and powerful Dragon Pokémon who lives hidden in a crater known as the Giant Chasm, near Lacunosa Town in north-eastern Unova.  The people of Lacunosa Town don’t know what lives in the Chasm, but they regard it as a place of ill omen and are afraid to go near it.  The town is surrounded by a wall to keep out whatever lives there, and the people of the town normally stay inside their homes at night, since old legends warn of a monster that fell from the sky long ago and takes away people and Pokémon at night to eat them.  Their fear is understandable; Kyurem’s hard, almost skeletal visage is not a welcoming sight.  As far as I can make out, though, he just wants to lurk in his dark cave at the back of his meteor crater and be left alone.  The information we have on Kyurem from the Pokédex seems to suggest that he’s unwell – maybe sick, injured, or just plain old – and can’t control his own ice powers properly anymore.  His own body has long since been frozen by his own chilling aura, leaving him a shadow of his former self.  So, what was his former self like?  The air is thick with speculation.  Continue reading “Kyurem”

Genesect

Okay, guys, today we’re looking at the last Pokémon that has yet to be officially revealed by Nintendo: a killing machine of unfathomable power, created from the genetic material of an ancient Pokémon by an evil mastermind in order to create the most powerful of all-

…oh, they wouldn’t dare.

…I can’t believe this; they did it.  They actually did it.  They actually recycled Mewtwo’s backstory!  The fiends!

e2c8f-genesectOkay, sure, there are differences.  Genesect was the brainchild of Team Plasma (and presumably of their de facto leader, Ghetsis), the villains of Black and White, who enhanced the deadly prehistoric insect with metal armour and a devastating portable photon cannon, while Mewtwo, who was commissioned by Team Rocket’s shadowy master Giovanni, gained his incredible psychic abilities courtesy of a truly frightening amount of gene splicing (although, in the TV show, Giovanni does also equip him with a suit of armour designed to focus and augment his powers).  Also, it seems pretty clear that Genesect was always a vicious hunter even before Team Plasma got to it, whereas Mewtwo’s predecessor, Mew, is one of the most peaceful and carefree Pokémon you’ll ever find.  As I alluded earlier, though, the similarities are striking, to say the least.  The Genesect project was actually shut down, since Team Plasma’s spiritual leader, N, held a very different attitude towards Pokémon to Giovanni’s; specifically, N believes that Pokémon are perfect beings, and came to the conclusion that the technological enhancements made to Genesect by his scientists were a corruption of its natural purity.  The lab where Genesect was developed was not abandoned, though; a couple of scientists continued to haunt the place and eventually brought their creation to a state resembling completion.  Continue reading “Genesect”

Meloetta

I’m back from Italy and on the home stretch, with only three more Pokémon to go, so let’s check out today’s, the second of three Pokémon that still don’t officially exist according to Nintendo (and therefore have no official art; the pictures I’m using here are by Xous54 and are closely based on the in-game sprites): the enigmatic Meloetta.

08488-ariameloettaMeloetta is a dainty humanoid Pokémon with powers related to music.  Her arms and hands, as well as part of her headdress, are shaped like musical notes, and her wavy hair is reminiscent of a musical score.  She can influence the emotions of people with her song, helping them to achieve the right state of mind for composing music, and could well be based on the Muses, the ancient Greek goddesses of inspiration, or possibly on less ancient interpretations of the same concept.  There were traditionally supposed to be nine Muses, but Meloetta has only two forms (I’m not particularly bothered by this, incidentally; nine forms would be interesting but it would have been difficult to achieve enough differentiation between them to make it worthwhile), which are related to the two main ways humans can participate in music: song and dance.  In her “Aria” form, Meloetta’s hair is green and flows out behind her, while in her “Pirouette” form, her orange hair is wrapped up around the top of her head like a turban and her skirt blows up around her like a ballerina’s tutu.  Meloetta can switch from her Aria form, in which she is a Normal/Psychic dual-type, to her Pirouette form, in which she is a Normal/Fighting dual-type, by using an attack called Relic Song, a technique she forgot long ago but which she can remember with the help of a musician in Castelia City who will also tell you Meloetta’s story.  Continue reading “Meloetta”

Tornadus, Thundurus and Landorus

Today I’m looking at the second of Black and White’s legendary trios, the ogre-like genies Tornadus, Thundurus and Landorus.  Why do these games have so many legendary Pokémon, anyway?  Every set of games always introduces more of the things than the last (compare five in Red and Blue to thirteen in Black and White), and at some point you have to wonder how many we actually need… but I should judge them all on their merits, shouldn’t I?  So, without further ado: the legendary genies, Tornadus, Thundurus and Landorus.

As their astonishingly inventive names attest, Tornadus, Thundurus and Landorus are spirits of wind, lightning and earth; Landorus is a Ground/Flying dual-type, Thundurus an Electric/Flying dual-type, and Tornadus the only single-typed Flying Pokémon in the entire game.  Tornadus and Thundurus are chaotic and sometimes destructive storm spirits who zip around frying people, blowing them away, playing tricks, ransacking things at random, and occasionally beating the hell out of each other and laying waste to a few neighbourhoods in the process.  Landorus, in stark contrast, is a benevolent figure associated with protection and fertility, whose role is to keep the other two in line and to encourage crops to grow healthily.  When Tornadus or Thundurus (or both) makes trouble for the villages of Unova, Landorus shows up to settle things.  Continue reading “Tornadus, Thundurus and Landorus”

Victini

…oh, Victini, what did you do to deserve this?  I know there are people who like Victini; I know they exist.  Those people would be best served by turning around, sticking their fingers in their ears and chanting “la la la, I can’t hear you” for the duration of this entry.

Let’s have some background.  Victini is the latest in a long line of “cute” legendary Pokémon.  The Psychic cat Pokémon Mew is the fabled ancestor of all Pokémon.  Celebi is a forest spirit who exists beyond time.  Jirachi is a celestial fairy Pokémon who is only awake for one week in every thousand years, but can supposedly grant any wish in that time.  Manaphy, the so-called prince of the sea, possesses unmatched empathic abilities and can touch the heart of any living thing.  Last but not least, Shaymin, the guardian of meadows, is the personification of gratitude and has the power to harmlessly absorb any poison.  Victini, the newest addition to the group, is the embodiment of victory.  Victini is said to be a source of boundless energy, which he can share with anyone who touches his body.  As such, possessing Victini is supposedly an absolute guarantee of victory.  I don’t just mean victory in battle either; Victini is victory itself and can bring success in any kind of situation with any possible outcome that might be considered ‘winning’.  Continue reading “Victini”